first edition early mottled calf. gilt stamped binding, titled leather label.
1759 · Avignon
by PERRAULT (Charles);
PERRAULT (Charles): Mémoires de Charles Perrault, de l'Académie Françoise et Premier Commis des batimens du Roi. Contenant beaucoup de particularités & d'Anecdotes intéressantes du ministère de M. Colbert. Avignon: {Pierre Patte,] 1759.
First edition of the Memoirs by the author of Mother Goose's Tales, very rare when preserved in an elegant ancient binding as our copy. Tchemerzine, V, 188
The Memoirs stop after the break with Colbert and were published by the architect Pierre Patte. Originally coming from the region of Tours, but established in Paris, the Perrault family belongs to a haute bourgeoisie of Robe with a modern and Jansenist sensibility whose sons are lawyer (Jean), receiver general of finances (Pierre), architect and doctor (Claude) or doctor in theology (Nicolas). As for Charles, if he seems to follow a banal course of a future robin (brilliant literary studies at the college of Beauvais in Paris, law degrees, and registration at the bar in 1651), he actually breaks with the school institution. Then, we see him trying to celebrate the great events of the kingdom: odes on peace on the occasion of the Treaty of the Pyrenees (1659), on the wedding of Louis XIV and Marie-Therese (1660), on the birth of the Dauphin (1661), with a controversial literary talent (by Racine) but with a growing political success, to the point of appearing soon to the young King and his administrators as a great choice to carry out the cultural project of the reordering of France; while he is committed to the superintendence of the royal buildings, Perrault who has proved again his encomiastic science (Discours sur l?acquisition de Dunkerque par le roi? 1663), is appointed, on the recommendation of Chapelain, secretary of the Petite Academy (future Académie des inscriptions et des belles-lettres). He is elected to the French Academy (1671) of which he became Chancellor at the death of Seguier (1672) and redefines its rules of operation. Its effectiveness is once again such that, in the same year, Colbert creates for him a tailor-made position (the general control of the buildings). After the death of Colbert (1683), he is dismissed from his position of Controller General and excluded from the Petite Académie by Louvois; only remained Director of the Academy, he is de facto placed in an almost total retreat at the age of fifty-five. Charles Perrault then devotes himself to the education of his children (he was a widower since 1678), but more importantly resumes and deepens a religious reflection (Épître chrétienne sur la pénitence, praise of Louis XIV protector of the Catholic religion, 1683, ode Aux nouveaux convertis, 1685, etc.), which will prove to be the ethical base of the upcoming Quarrel of the Ancients and the Moderns. As evidenced by his consultation with two religious, former moderates, Bossuet and Huet, about his Saint Paulin évêque de Nole (1686), epic in six songs that appears to be followed by an epistle to Fontenelle, Le Génie. On January 27, 1687, the public reading of the Siècle de Louis XIV by Charles Perrault, to the glory of the Moderns, caused a quarrel between the Ancients and the Moderns to burst, whose stakes exceed the controversies of their respective leaders, Boileau and himself. In fact it will result in the reconciliation (1694) of those who probably were differently of the same opinion? (Boileau). (Inventory #: Perrault1759)
First edition of the Memoirs by the author of Mother Goose's Tales, very rare when preserved in an elegant ancient binding as our copy. Tchemerzine, V, 188
The Memoirs stop after the break with Colbert and were published by the architect Pierre Patte. Originally coming from the region of Tours, but established in Paris, the Perrault family belongs to a haute bourgeoisie of Robe with a modern and Jansenist sensibility whose sons are lawyer (Jean), receiver general of finances (Pierre), architect and doctor (Claude) or doctor in theology (Nicolas). As for Charles, if he seems to follow a banal course of a future robin (brilliant literary studies at the college of Beauvais in Paris, law degrees, and registration at the bar in 1651), he actually breaks with the school institution. Then, we see him trying to celebrate the great events of the kingdom: odes on peace on the occasion of the Treaty of the Pyrenees (1659), on the wedding of Louis XIV and Marie-Therese (1660), on the birth of the Dauphin (1661), with a controversial literary talent (by Racine) but with a growing political success, to the point of appearing soon to the young King and his administrators as a great choice to carry out the cultural project of the reordering of France; while he is committed to the superintendence of the royal buildings, Perrault who has proved again his encomiastic science (Discours sur l?acquisition de Dunkerque par le roi? 1663), is appointed, on the recommendation of Chapelain, secretary of the Petite Academy (future Académie des inscriptions et des belles-lettres). He is elected to the French Academy (1671) of which he became Chancellor at the death of Seguier (1672) and redefines its rules of operation. Its effectiveness is once again such that, in the same year, Colbert creates for him a tailor-made position (the general control of the buildings). After the death of Colbert (1683), he is dismissed from his position of Controller General and excluded from the Petite Académie by Louvois; only remained Director of the Academy, he is de facto placed in an almost total retreat at the age of fifty-five. Charles Perrault then devotes himself to the education of his children (he was a widower since 1678), but more importantly resumes and deepens a religious reflection (Épître chrétienne sur la pénitence, praise of Louis XIV protector of the Catholic religion, 1683, ode Aux nouveaux convertis, 1685, etc.), which will prove to be the ethical base of the upcoming Quarrel of the Ancients and the Moderns. As evidenced by his consultation with two religious, former moderates, Bossuet and Huet, about his Saint Paulin évêque de Nole (1686), epic in six songs that appears to be followed by an epistle to Fontenelle, Le Génie. On January 27, 1687, the public reading of the Siècle de Louis XIV by Charles Perrault, to the glory of the Moderns, caused a quarrel between the Ancients and the Moderns to burst, whose stakes exceed the controversies of their respective leaders, Boileau and himself. In fact it will result in the reconciliation (1694) of those who probably were differently of the same opinion? (Boileau). (Inventory #: Perrault1759)
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